Auto-Tune Unlimited is the ultimate collection of professional vocal production plug-ins. No other set of tools delivers the audio quality, features, or signature Auto-Tune sound. Subscribe today and produce vocals without limits for only $24.99/mo. Featuring the Gregory Brothers! Go subscribe to them: correction: it can make terrible singers sound decent, brilliant sin. Use the roll and pitch stick at any time to reposition the copter if it drifts away (it will use the original PID gains during repositioning and between tests). When you release the sticks it will continue auto tuning where it left off. Move the ch7/ch8 switch into the LOW position at any time to abandon the autotuning and return to the origin.
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As time goes by, Auto-Tune is becoming more of an environment than a single plugin. With pitch correction included in many modern DAWs, Antares had to adapt and bring more to Auto-Tune in order to continue to offer value. Lucky for all of us, over the last few years Auto-Tune has grown immensely in functionality, performance, and creativity. The two latest additions to the ever-growing product line are Auto-Tune Access and Auto-Key. I downloaded both to take a look and a listen.
Auto-Tune Access
Auto-Tune Access is a simple and budget-friendly way to get into the Auto-Tune environment. Access includes pitch correction with a selection of key and activation/deactivation of notes at the bottom of the window. The user can adjust retune speed as well as the amount of ‘humanization’ allowed in the track. The knobs are three position knobs and not continuous, so you’ve basically got slow/medium/fast for the speed control and off/min/max for humanization. This simplified interface lets you dial in subtle or extreme pitch correction within seconds.
As for the controls, that’s all you’ve got to deal with. One of the benefits of this ‘stripping down’ of the plugin is its extremely low CPU overhead and its responsiveness. The interface feels very snappy, and truth be told, you can probably take care of about 75% of the intonation problems you’ll encounter with this plugin. If you’re looking to purchase a version of Auto-Tune to just ‘tighten things up a bit’, this is really all you need. If you’re looking for graphical control or more precise control over the algorithm, you’re going to want to invest in EFX or Pro.
Auto-Key
Auto-Key was an interesting addition to the lineup. A single utility plugin separated from the main plugin, Auto-Key can communicate with all instances of Auto-Tune in your project at once. This is a godsend for those of us tracking large amounts of background vocals, double tracked lead vocals, and more. You can instantiate this plugin in a single place, and it will instantly analyze the song, let you know what key it thinks it should use, and push the updated key information out to all of the instances of Auto-Tune in your project. I tried it out with both Access and Pro in a Logic session and it worked perfectly.
Another cool feature of this is that it can analyze your entire song in faster than realtime by opening up an audio file. This is handy if you have a bounce of the tune and you don’t want to turn it on and let it listen to a whole song. All in all, for 50 bucks, Auto Key seems like a no-brainer if you’re going to be using multiple instances of Auto-Tune or aren’t confident in your theory skills enough to determine the key of a song.
Conclusion
These two plugins work quite well hand-in-hand. I bought Auto-Key for keeps immediately after my review. I already owned Auto-Tune Pro so I didn’t really have a need for Auto-Tune Access, but if you haven’t jumped into the Auto-Tune product line yet, Access is most definitely worth a look if you don’t have graphical editing or precise control needs. I wished Auto-Key could continually analyze the song as it progressed and offer a stream of updated key data to the Auto-Tune instances, but hopefully that’s a feature coming down the line!
Price: Auto-Key - $49 / Auto-Tune Access - $99
Pros: Simple interface, light on the CPU, easy to install, no documentation really needed, it’s autotune for under a hundred bucks.
Cons: Three position knobs don’t offer as much control as I’d like, fingers crossed for an Auto-Key live that updates the key information continuously!
Website:www.antarestech.com
Learn more about vocal production: https://ask.audio/academy?nleloc=new-releases
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Good day everyone!
This post will surely get downvoted a lot due to the topic but this article aims at analyzing double standards for boy groups and girls groups in Kpop : here auto-tune.
First, what is auto-tune? Auto-Tune is an audio processor which uses a proprietary device to alter pitch in vocal and instrumental musicrecording and performances. It is originally used to correct off-key vocal mistakes but is also used to give a ‘soothing’ or ‘robotic’ feel to a song.
Second, any true Kpop fan knows that Kpop is sadly full of sexist double standards, Korea being a very conservative and patriarcal society. These double standards mainly concern sexiness on stage for example, Wanna One's Kang Daniel and BTS's Jungkook constantly getting praised for lifting their shirts while girl groups like AOA or Sistar get literally censured by Music shows for wearing skirts as well as getting slut shamed on forums. If you have any doubts about the existence of the issue, please watch this 3-minute youtube video.
In March 2019, a month ago, 6-member girl group EVERGLOW debuted in Korea under Yue-Ha Entertainment with Bon Bon Chocolatas their title track. The girls gathered much attention because of their unique choreography (by 1 Million Dance studio's co-founder Lia Kim) as well as the vibe of their song, mainly caused by the large presence of auto-tune in their vocals. Even though EVERGLOW proved to the public they can sing without auto-tune (listen to their Mr Removed here), the girls received thousands of hate comments stating they were incapable of singing and were bashed for weeks on social media.
[+1998/-156] Failed Idols
[+1179/-42] They are so bad at singing lol, auto-tune is so 1990s why bring it now ? They should consider becoming back-up dancers for real
[+850/-28] We were going fine with Cherry Bullet and ITZY but N-everglow came in ;(
[+788/-4] The auto-tune ruins the song, thank you everglow for hurting my ears -.-
On the other hand, global phenomenon BTS made their come back yesterday (12th April) with dreamy and romantic title track 'Boy With Luv' (a reference to their 2014 track 'Boy In Luv') featuring Halsey, 24 year-old singer considered to be 2019's rising star in the USA after charting #1 with 'Without Me' on Billboard in 2018. 'Boy With Luv' slayed worldwide charts, selling more than 3 million albums before the official release and the MV being the most watched YouTube video in 24 hours of all times (unofficially 78M views according to Twitter fan accounts). The song perfectly conveys a romantic and soothing feel thanks to the boys' and Halsey's voices but also because of the auto-tune used by producers.
Does Hozier Use Auto Tuner
However, on social media and forums, BTS didn't get any hate or criticism because of the auto-tune used in their song :
[+2901/-300] That song is sooooo soothing and relaxing, it is produced so well and Jimin-oppa voice oh my <3
[+2587/-350] Halsey's voice is so beautiful, the auto-tune is so well mixed I feel high but I still wanna dance lmao
[+1803/-165] Everything is PERFECT about that song : the voices, the instrumental, the lyrics and the visuals <3 <3 <3
People therefore seem very satisfied with BTS's comeback and rather appreciate how the song was mixed, including the auto-tune which was highly praised on forums and social media.
Does Hozier Use Auto Tune In Audacity
Here is the problem, why does BTS get praised for using auto-tune on their title track while EVERGLOW doesn't and even gets hate and insults? Some people could say that BTS is already very well known and everybody knows what they are capable of, if they want to use auto-tune they can, they have nothing to prove to anybody. EVERGLOW on the contrary, is a rookie group and nobody knows what they can do, so using that much auto-tune makes the girls appear as tone deaf. The issue is that the girls were already well known before debut, especially Yiren and Sihyun who participated to Mnet hit show 'Produce 48' and both ranked extremely well (#28 and #27 respectively). Yue Ha Enter. also posted videos of the girls singing and training prior to debut; proving to the general public that they could actually sing. Finally, as mentioned in this article above, the Mr Removed clearly shows the girls can sing live just as well without any auto-tune.
So what do you think? Is it a double standards issue or is it because BTS's auto-tune was well used while EVERGLOW's song sounded off? Let us know in the comments!
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